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- #MUSIC MASTERING SOFTWARE FOR PC HOW TO#
- #MUSIC MASTERING SOFTWARE FOR PC PRO#
- #MUSIC MASTERING SOFTWARE FOR PC PROFESSIONAL#
For years, I used only professional mastering engineers I would never have dreamed of doing mastering myself. And when you do, you'll be able to talk about what you want in more educated terms, because you're more familiar with the process, and you'll have listened to your work with mastering in mind.īesides, the only way to get good at anything is practice.
#MUSIC MASTERING SOFTWARE FOR PC PRO#
Why not master it yourself? After you've sorted out the order and such, you can always take the individual mixes to a pro mastering engineer. Or perhaps you've recorded several tunes and want to test how they flow together as an album. Sure, you can just duplicate the mixes, but a mastered 'veneer' will give your listeners a better experience. Maybe you have a live recording that you want to give to friends or sell at gigs. Firstly, not all mastering situations require a professional's touch. This means that the level control won't cut off the reverb tail or interfere with the dithering.So does this mean only experts should attempt to do mastering? No. As shown in the routing view of the inserts, the EQ1 equaliser plug-in goes before the L1 limiter after the fader (shown in white) comes the Double Delay and the UV22HR dithering plug-in. This buss in Steinberg's Cubase SX is dedicated to mastering effects. Besides, much of the point of using a mastering engineer is to bring in an objective set of ears to make any needed changes prior to release. Unless you have the ears of a mastering engineer, you can't expect any plug-in to provide them for you. But 95 percent of mastering is not in the tools - it's in the ears. Today, the tools for quality mastering are finally within the financial and technical reach of anyone who's serious about recording.
#MUSIC MASTERING SOFTWARE FOR PC HOW TO#
Few musicians had access to the high-end, expensive tools needed to do mastering, nor did they have the experience of someone who had listened to thousands of recordings, and knew how to make them ready for the real world. Mastering was rightly regarded as an arcane, mystifying art. The tunes would then be assembled in the desired order, and acetate test pressings would be made to evaluate the final product prior to mass-producing albums. You brought your finished mixes on tape to a mastering engineer, who would often bounce them to another tape through various signal processors designed to sweeten the sound. Prior to the digital revolution, mastering had a very defined set of functions. What gives? Can You Do Your Own Mastering? But we've also heard of computer studio owners with a two-track editor and a few plug-ins who have started mastering their own material. We've all heard stories of high-priced mastering engineers with mystical, proprietary gear based on gilded vacuum tubes salvaged from ancient Russian submarines. Photo: Mark EwingMastering is a vital part of the recording process, so much so that a substantial amount of mythology is associated with it.
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So how much can you realistically achieve by going it alone, and what techniques will give the highest-quality results? However, few seem to achieve the classy results they're after. Many home recordists hope to perfect their productions by doing their own mastering on their studio computer.